Tampilkan postingan dengan label sw animation art/cels. Tampilkan semua postingan
Tampilkan postingan dengan label sw animation art/cels. Tampilkan semua postingan

Kamis, 21 Februari 2013

Courvoisier Cels - Queen's Sinister Animals

Snow White Crow and Skull Courvoisier Production Cel, 1937. Scene of the Queen's pet crow, reacting in horror to the Old Hag with her poisoned apple. Image area measures approximately 10.25" x 9", overall size 18" x 17.25".





Vultures Production Cel and Courvoisier Background, 1938. Cel art featuring the vultures is among the toughest to find since they appear only briefly in the film. Courvoisier woodgrain background. The birds are approximately 3" x 4" within an image area of 6" x 6"; Frame 13.25" x 13.25".


Images and info from Heritage Auctions via the Animation Art Signature Auction.

Rabu, 20 Februari 2013

Disney Animator Gag Drawings for Joe Magro, 1937

  • Gag drawing by Disney art director Hugh Hennesy. Animator Joe Magro goes nose to nose with the Old Hag. Mixed media.



Who was Joe Magro? The good folks over at Cartoon Brew give us the answer...
Italian-American artist Joe Magro was hired at Disney in 1936 during the studio’s expansion to produce Snow White and the Seven Dwarfs. Originally from Rochester, New York, Magro was attending Mechanics Institute (now Rochester Institute of Technology) when his teacher Fritz Trautmann suggested that he apply to the Disney studio.

Magro left Disney in 1937 and returned to the East Coast. He apparently stayed long enough at the studio to make friends with the other artists. We know that because when Magro left, his Disney colleagues presented him with a “good luck” book filled with gag drawings. The drawings from that book are currently being auctioned by Heritage Auctions and include pieces by Fred Moore, Ward Kimball, Bill Tytla, Grim Natwick and Marc Davis, among others.

Since Joe was at the Studio during the height of the Snow White production, the majority of drawings within the “good luck” book included some kind of reference to the film. All the pieces were created on 12-field 5-peghole sheets of animation paper (12" x 10").

  • Gag drawing by Marc Davis. Snow White thinks Joe is "chicken". Mixed media.



  • Gag drawing by Vladimir "Bill" Tytla. Note Mickey Mouse on the blackboard and Dopey as one of the students. Graphite and colored pencil.



  • Gag drawing by animator Dave Rose. Original layout drawing of the poison apple antidote has been collaged with another piece of art. Graphite and colored pencil.



  • Gag drawing by Grim Natwick. The fairest on the beach meets animator Joe Magro. Rendered in colored pencil.



  • Gag drawing by Fred Moore. Snow's red bow in hair. Tongue-in-cheek caption reads: "But -- what could you possibly do with me in New York?" Mixed media.



  • Gag drawing by animator, Jack Larsen. Joe Magro in the lap of luxury. Colored pencil.



  • Gag drawing by Marc Davis and Charles "Nick" Nichols. Another humorously cheeky piece. Mixed media.



  • Gag drawing by Charles "Nick" Nichols. Grumpy says goodbye. Graphite and colored pencil.

Images via Heritage Auctions.


The rest of the (non-Snow White) drawings can be seen at Cartoon Brew. Learn more about Heritage's Animation Art Signature Auction in the previous archive entry.

2013 Heritage Animation Art Auction

Heritage Auctions is holding their Animation Art Signature Auction in New York City on February 21 and 23 at the Ukrainian Institute of America (Fletcher-Sinclair Mansion). The collection can be viewed online and bidding is now open.

Featured among the many fine pieces are several pages of original Snow White artwork. This includes Courvoisier cels and backgrounds, model sheets, artist concept drawings, animator production drawings, and more. A few examples...

  • Production Cel on hand-painted, airbrushed gradated Courvoisier background, 1937. Prince about to lift Snow White on horseback. Image area approximately 8.75" x 8.45". Framed overall size 34" x 24.25".




  • Production Cel in original Courvoisier wood veneer set-up. Snow sings to six of the seven. Hand-painted background effects, 1937. Image area 14.25" x 11.25". Framed 28" x 25.5".




  • Snow White Face Concept Drawing, 1937. Disney Studio 12-field 5-peghole animation paper. Red, Brown, and blue color highlights. Possibly Grim Natwick's work. Image area measures approximately 4" x 3.5".



  • Prince Production Drawing, 1937. He leans over to kiss Snow White. Rendered in graphite and red pencil on a 12-field sheet of animation paper, 12" x 10". Includes color notations for the cel inkers.



  • Alex Ignatiev Dopey Publicity Drawing, 1960s. On 16-field animation paper, created for publicity purposes. Image area approximately 5.5" x 4".



  • Old Hag Production Drawing, 1937. Graphite pencil with slight red and green highlights.



  • Snow White with Apple Production Drawing, 1937. Red pencil on animation paper with "39" written in the lower right corner. Image area approximately 6".

Images and info via Heritage Auctions.



More animation artwork from this auction in upcoming posts.

Rabu, 31 Oktober 2012

75th Anniversary Exhibition Opens This Month at WDF Museum

When author J.B. Kaufman and Diane Disney Miller first came up with the idea for a book on the making of Snow White (The Fairest One of All), they weren't actually thinking about 2012 and it being the 75th anniversary of the film. It wasn't long, however, before the project led to not only a full-fledged art exhibition to mark the occassion, but a second book as well.

On June 12th of this year, the Walt Disney Family Museum issued a press release for their upcoming special presentation, Snow White and the Seven Dwarfs: The Creation of a Classic. In celebration of the diamond anniversary of the film, more than 200 original production works of art will be on display "including conceptual drawings, early character studies, detailed story sketches, and animation drawings."

Curated by Lella Smith, Creative Director of the Walt Disney Animation Research Library, the exhibits are "organized by sequence through the progression of the movie, featuring some never-before-seen works of art with behind-the-scenes stories about the film’s production." It opens November 15, 2012 and runs until April 14, 2013.




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J.B. Kaufman authored the exhibition catalog, Snow White and the Seven Dwarfs: The Art and Creation of Walt Disney's Classic Animated Film (seen in earlier post). Not long ago, he answered a few questions about his own involvement with the museum...










FILMIC LIGHT: How did you come to be on staff of the Walt Disney Family Foundation and what is your role?
JB KAUFMAN: My original connection with the Foundation was a loose one and revolved around researching and writing an earlier book, South of the Border with Disney. The Museum was in the planning stage at that time, and as the plans evolved, I eventually became a staff writer for the Foundation, working on text panels for the Museum and other projects.

FM: Did the writing of your two Snow White books involve you directly with the development of the exhibition at the Museum?
JB: No, actually I haven’t had much involvement with the Snow White exhibition itself. I’ve attended some of the meetings and consulted from time to time, but that’s about it. Lella Smith, the Creative Director of the Walt Disney Animation Research Library, is the curator, and she and her staff, along with the Museum’s own curatorial staff, are the ones to be credited for this show.

FM: What can guests expect when they visit the Snow White exhibition?
JB: In the course of working on the catalog, I’ve had a comprehensive look at the art that will be featured in the show, and it’s a huge and amazing assortment. Some of it is drawn from the ARL, some from the Museum’s own collection, and some key items from the holdings of private collectors. People who really love Snow White will already be familiar with a few of these pieces, but there are also quite a number of exciting rarities that I don’t think have ever been displayed before. All in all, it adds up to an opportunity to immerse yourself in the art of this beautiful film.

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PDF of promotional images released by the museum...


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In conjunction with the Snow White exhibits, the museum also has a series of public programs planned including screenings of the film daily, a talk by J.B. Kaufman and Lella Smith, and even a 75th anniversary premiere party soiree of "glitz and glamour". See the program press release for the full listing of events and activities.

Museum Hours: 10am to 6pm, Wednesdays through Monday; closed on Tuesdays and the following public holidays: New Year’s Day, Thanksgiving, and Christmas.

Tickets:  $10 for Snow White only. Combination ticket which also includes general museum admission, $25 adults; $20 seniors and students; $15 children ages 6 to 17. Become a member and admission is free.

Where: The Presidio of San Francisco, 104 Montgomery Street, San Francisco, CA 94129

Minggu, 23 September 2012

J.B. Kaufman's Exhibition Companion Book

With 2012 marking the 75th anniversary of Snow White, author J.B. Kaufman is treating fans to something extra special. In addition to The Fairest One of All, his forthcoming 320-page treatise on the making of the the film, he's also giving us a companion volume entitled Snow White and the Seven Dwarfs: The Art and Creation of Walt Disney's Classic Animated Film.

This second book features over 200 pieces of art from the new exhibition coming in November to the Walt Disney Family Museum in San Francisco...
Both familiar and never-before-seen pieces from the Walt Disney Animation Research Library will walk the reader scene by scene through the movie, accompanied by behind-the-scenes stories about the film’s production. [amazon.com paraphrased description]

Front Dust Jacket


Title Page


I asked JB about this new book...

FILMIC LIGHT: JB, you have not one, but two Snow White books coming out this year. Why two?
JB KAUFMAN: We didn’t originally plan it that way. Believe it or not, when we first started working on The Fairest One of All, I don’t think it occurred to any of us that the film’s 75th anniversary was coming up. But as it turned out,the publishing timetable did coincide neatly with that anniversary, and that led to the idea of a special Snow White exhibition at the Walt Disney Family Museum, and that led to the idea of a separate, smaller book that would serve as an exhibition catalog. And we tried to put some real substance into it, so it could be published separately in a trade edition; and as a result we wound up with two different books on the same subject at the same time. I’m really happy with the way it worked out, because the two books are very different; each complements the other.

FM: How do they differ and complement each other?
JB: The Fairest One of All is meant to be a definitive history of the film, and it’s driven by the text. I’m very proud of the book’s design (I didn’t design it, so I can brag about that!), and it’s heavily and beautifully illustrated—the illustrations including some exciting rarities—but the images are chosen primarily to illustrate the text. The catalog is just the opposite: the art comes first and the book is sumptuously designed around it. The text is a supplement to that. I should add that the catalog does give a substantial account of the film’s production, and I’m happy to say that we included some drawings and paintings that were used to create specific effects, along with explanatory text to show how they were used. So, even with the same subject, the two books don’t duplicate each other. I’m very happy with the way they work together.

FM: What kinds of specific artwork do we see in the exhibition book?
JB: The works—everything from early concept art and story sketches through layout drawings, background paintings, animation drawings, and painted cels, to the finished cel setups used in the film. As the exhibition catalog, it reflects the exhibition itself, which is designed to illustrate the full range of production art that went into the making of a film as elaborate as Snow White.


Snow White on Stairs, p. 118.


Spell Book, p. 163.


Snow White's Glass Coffin, p. 230-231.



Title: Snow White and the Seven Dwarfs: The Art and Creation of Walt Disney's Classic Animated Film
Approx. Dimensions: 9.5" x 10.75"
Pages: 256

Publisher: The Walt Disney Family Foundation Press
ISBN: 9781616284374
Release Date: October, 16, 2012
List Price: $35.00 (USD)


Rear Dust Jacket


With the completion of his two Snow White books, what's next for JB?

FM: Do you have any other Disney projects in the works?
JB: Yes, as a matter of fact I’m working on a followup book about the making of Pinocchio. As you can imagine, that’s a fascinating subject too! But it will take some time to finish it.

Sabtu, 28 Juli 2012

Animation Auction Catalog from Profiles in History

The big Profiles in History Animation Auction takes place today in Calabasas Hills, California. The catalog of artwork has 203 numbered pages and is cover-to-cover chock-full of beautiful drawings, cels and more. Early pieces from the Fleischer Studios, UPA, Walter Lantz; classics from Warner Bros., Hanna-Barbera and others; Plus loads from Disney--even theme park props. It's an amazing collection.

Front Cover
All catalog images © Profiles in History











A few examples include:

Page 5 and 12 - Original Production Cels + Backgrounds for Fleischer's Poor Cinderella, Warner Bros' Hollywood Steps Out...



Page 55 and 67 - Disney's Mr. Toad Ride Vehicle, Walt's First Camera...



Page 180 - Original Production Cels + Backgrounds for Sleeping Beauty...



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And all of the pages with Snow White items up for sale:


Page 48 - Production Drawings, Production Cels...



Page 50 and 52 - Rubber Figures, Children's Lamps, Post Toasties Cut-Outs plus Pinocchio Game and other items...



Page 56 - Disneyland Snow White Adventures Signage plus Small World, Pirates, and Haunted Mansion items...



Page 96 and 97 - 1937 Signed Book, Original Courvoisier Cel Setups...



Page 98 and 99 - Production Drawings, Cel Setups...



Page 100 and 101 - Production Drawings, Cel Setups...



Page 102 - Vertical Pan Production Cel + Background...



Page 103 and 104 - Production Drawings, Cel Setups...



Page 105 - Original Production Cels + Production Background...



Page106 and 108 - Original Layout Drawings, Production Cels, Signed Argentinean Exhibitor Program...



Page 107 - Original Production Cels + Production Background...



Page 109 - Original Production Cels + Production Background...



Page 110 - Original Layout Drawing, Production Drawings, Storyboard Panel, Storybook Artwork...



Page 136 and 182 - Water Babies Circus Book Cel (1940), Hand-Painted Publicity Cel (1960s)...